If this is goodbye, ‘Aquaman and the Lost Kingdom’ keeps its trident high


It’s perhaps appropriate that the latest Aquaman movie is about a lost kingdom. In many ways, this mini-franchise is just that, a Jason Momoa kingdom that could just quietly sink below the cinematic waves.

At least Momoa is going out swinging in “Aquaman and the Lost Kingdom,” an overstuffed tale that goes from desert to ice, steals from other movies like a coked-up magpie and says goodbye at the near-operatic level of a mid-franchise Marvel flick. Much of it doesn’t happen underwater at all.

“Aquaman and the Lost Kingdom” is likely the final installment of the King of Atlantis’ storyline for a time. The new heads of DC Studios plan nearly a dozen film and TV comic book projects in the next decade and none have Aquaman front and center.

Holding it all together is Momoa, and it’s hard to overstate his charisma, humor and presence. DC Studios may regret deep-sixing this franchise if it doesn’t find a home for an actor who actually looks like a real-life superhero. But, then again, they bungled it with Dwayne Johnson, too.





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